Breakdown of “Born
Into Coal”
By: Alexandra
Hamilton
The documentary short
“Born Into Coal” is an example of a human-interest story. The feature story and
main focal point of the film is the coal miners in a small town in West
Virginia, and the proud families that support them whole-heartedly. The
documentary depicts this topic in an emotional way in order to facilitate
sympathy, interest and understanding between the audience and the people
featured in the film. Like most human-interest pieces, “Born Into Coal” is
presented as “the story behind the story” about the coal mining industry and
how it remains so deeply embedded into small towns and the families that
inhabit them across the United States.
The story focuses on Coal
queen pageant contestant Arianna Bailey, and her quest to acquire a crown that
represents her family’s way of life, the “Miss West Virginia Coal Festival.” The
other family featured centers around a former miner Goose Stewart who has been
forced to live with the memories of a mine explosion that killed many of his
companions and fellow miners. Although
these two families live miles apart in West Virginia, they share one common
interest that binds them together: coal.
The creators of the
film choose to use a variety of close up shots along with a mixture of
straightforward interviews and voice over narration by the individuals featured
in the documentary. By taking this approach an intimate portrayal of these
families is created. The audience feels as though they are peering in on the
lives of the West Virginian, coal mining advocates. One of the more interesting
series of shots in the film, were the close up shots on the hands. Arianna
Bailey and her father both have black fingernails. While the Arianna’s are
manicured and used as a decorative form of self-expression, her dad’s will
permanently remain black without reapplication, no matter how much soap and
water he uses. This is the result of a life spent in the coal mines of West
Virginia; a career path that is consistently chosen from generation to
generation among the families in this small town nestled in the Appalachian
Mountains. It’s a dirty and dangerous way of life, but nonetheless one that is
accompanied by an enormous amount of pride and promotion. It is probably one of
the few honest ways of making a living left in the corrupt world that exists
today, and besides there are no other reliable, well paid jobs in these small
town of West Virginia.
Overall the
documentary captures the charm and innocence of these families and what they
stand for. In a mere 7 minutes the audience is able to transport themselves
into the lives of these families and imagine what a life of a coal miners
daughter, a coal miners wife, or a coal miner itself might be like. Through
captivating close ups, unconventionally cropped shots, and a repetitive technique
throughout the unveiling of each participant in the documentary, “Born Into
Coal” is an impressive example of how powerful 7 minutes can be when each frame
is utilized to the fullest. I hope in my upcoming attempts to create a short
documentary that I can create a film as powerful as this one.
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